It’s probably the first time, somebody recording the Cello Suites in this way.¬†Anyone who tries to play the Suites with a person lying in front of them, and with the intent to accompany him/her in meditation and recollection through music will be forced, while playing, to smooth the rough edges of his ego, just as a stream (Bach in German!) smoothes stones until they become round, and finally sand. Playing softly does not mean playing quietly, but on tiptoe, with respect and while listening to the breath of the person in front of you.